CASE #02
What Objects Hold
What meaning do objects carry and how do we assign value to the things
we keep, encounter, or long for?
About the Theme
The object itself does not change.
But meaning changes how we see it.
This case invites you to observe how objects exist across different contexts, what we keep close, what we notice in passing, and what remains out of reach.
In personal spaces, objects reflect identity and memory.
In public spaces, they appear without intention—placed, forgotten, or overlooked.
Elsewhere, they exist at a distance—desired, imagined, or unattainable.
What Objects Hold explores how meaning is not within the object alone, but formed through our relationship with it.
How to Participate
Shoot using one or more of the three Investigation Partner films
Observe everyday moments and environments
Select images that respond to the case theme
Include a short written reflection with your submission
Your interpretation matters as much as the image itself.
Submission Deadline: 7th July 2026
What You Might Photograph
Observe how objects carry:
- memory
- function
- presence
- absence
- desire
There is no right or wrong interpretation.
Every photographer brings a different relationship to objects.
You may submit:
- Any subject involving objects
- Any film stock or format
Include a short note with your submission: What drew you to this object, and what it holds.
Your roll. Your frame. Your story.
Submission Example:
Camera Used: Kodak Snapic A1
Flim: Fujifilm 400
A centralized burning point found in the streets of Singapore. It reflects how tradition adapts within a modern city and preserving cultural practices while shaping them to fit a cleaner, more regulated environment. This object holds both heritage and transition.
Submission Example 2:
Camera Used: Canon AE-1
Flim: Fujifilm 400
This dried flower comes from my parents’ anniversary. Instead of discarding it, my mother keeps it. Turning a simple gesture into something lasting. It reflects how we hold onto relationships in my family.
1- The Interpreter
FilmNeverDie Sora 200
Soft. Reflective. Atmospheric.
Sora 200 leans toward a more subdued palette, with softer contrast and a slightly diffused feel. Colours tend to appear more restrained, giving images a calm, reflective quality without overpowering the subject.
Ideal for:
Quiet moments, memory-driven subjects, soft light, layered compositions.
2- THE OBSERVER
Fujifilm 400
Balanced, natural, quietly expressive.
Fujifilm 400 renders scenes with a steady and familiar look, keeping colours and tones consistent without feeling flat. It handles a wide range of lighting conditions well, making it reliable for everyday shooting while still retaining subtle depth.
Ideal for:
Everyday scenes, personal objects, natural light, casual documentation.
3- THE SHADOW EXPERT
Fomapan 400
Grainy, contrasty, rich in texture.
Fomapan 400 emphasizes texture and tonal contrast, with visible grain that adds character to each frame. It responds strongly to light and shadow, making surfaces, edges, and imperfections more pronounced.
Ideal for:
Textured subjects, worn objects, street details, high contrast scenes.
